Sunday, May 19, 2013

More Tips To Improve Hitting The Driver Long and Straight

Few golfers could argue that there are many better feelings than hitting the driver well. Aside from the huge ego boost it gives you there is also the added incentive of putting yourself in position to make a good score. But the fact is the driver is perhaps the most difficult club to master. So here are some tips to help improve hitting the big dog.



Choosing the right club for you is a good start. Assess your swing speed because the slower it is the higher the loft you want. Also consider how advanced you are. A stiffer shaft is probably more appropriate for the seasoned golfer as they will be able to generate more distance through sound fundamentals. If you're just starting out or a high handicapper then consider a more flexible shaft - the extra whip will add some distance for you.



When setting up stand at least shoulder width apart. Consider widening your stance even further as you want to have a stable platform for what is the most energetic swing in golf. Stand more upright than you would with your irons with your hands dangling down just ahead of your chin. Ensure your shoulders are parallel to the target and lean slightly to the right. It should feel as though there is perhaps 60% of your weight on your right foot. This last point will help you create more power.



It is said that the driver will always find the faults in your swing. If you tend to slice then check your grip isn't too weak. Have at least 2 knuckles showing on your left hand. If there is a draw or hook in your swing consider weakening your grip so that no knuckles are showing.



The ideal tee position is to have half the ball showing above the clubface and to have it set near to your left heel (right heel if you're left handed). If you tend to slice tee the ball up higher and vice versa if you tend to hook.



When you swing you are looking to sweep the ball off the tee with a wide and shallow movement. Ensure that you are relaxed. As with most things in golf this is the opposite of what you think you should do - a tense body will reduce the club head speed that you can produce.



Concentrate on keeping your wrists flexible. Extra length can be generated through the whip created by your wrists on release. Stiff wrists will severely impair your distance using the driver.



As you begin the backswing think long and wide. At the quarter point you want your hands to be as far from your body as possible. This long shaft is a lever which is being wound round a coil (you). It will pick up more speed on the downswing the longer the lever is.



The next part is critical. You must complete a big and full shoulder turn -try to get your right shoulder under your chin. This is the engine room of your driving. Without it you will not hit the big shots. You must also try and get your hips round with the shoulder turn. Both of these combined will created a tight coil ready to unwind. Get this right and then watch the ball soar. Also adding a little extra effort yourself will really take you into the stratosphere.



Ensure, however, that your body does not get ahead of your arms during the downswing. This is a killer mistake. It is seen quite often because the golfer wants to really go for the shot with everything they've got. What you end up getting is open shoulders before contact which translates into a bad slice. We all know the damage this can do when you've just used the most powerful club in your bag.



So try and stay unified whilst concentrating on using your body to create the momentum like an uncoiled spring. Before long you'll be booming that driver like Tiger.



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Michael Lewis has spent many years trying to crack the game of golf. After spending a fortune on lessons and golf products he has discovered the best resources and tips that anyone can easily learn. For simple information at no cost CLICK HERE

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History of the Hawaiian Hula Dance

The Hula dance is associated with Hawaii and luaus and while everyone knows what the hula is very few people are actually knowledgeable of its origin, not even the Hawaiians. According to Hawaiian history there is no information available as to who performed the first hula dance or why, however it is a common agreement that the original hula dance was performed by a god or goddess, making the dance sacred to Hawaiians. And this dance is sacred to men and women in Hawaii because the hula was danced by both sexes despite some information stating only men danced the hula. This information is incorrect and actually men and women both were involved in the sacred hula dance.

There are many types of Polynesian dances; however the hula is one of a kind and completely different than other dances in this area of the world. The origination of the hula was used for rituals and ceremonies, however this changed over time and eventually the hula was a dance used strictly for entertainment.

When dancing the hula individuals truly must become one with the dance and the actions, objects, or images they are imitating in their hula dance. The hula is a very meaningful dance and every movement of the body represents something. In addition to this, the hands are very important in the hula dance as well. When the individual is dancing the hula they may be imitating a palm tree, war, plants, and even animals. Because of this when the individual is dancing they are transforming themselves mentally into the object they are portraying through dance. Basically, the hula dancer is telling a story through the movements of the body and hands and as a result it is very important to watch. Chants also accompany the hula dance and while they used to be the most important part of the dance to portray what was happening they are no longer so and the movements are most important. You will notice the difference if you see a portrayal of old style hula dancing compared to new style hula dancing. While both are still hula dancing and fun to watch, the first is more ritualistic and the second more entertaining.

The hula dancers wear a costume in order to perform the hula dance. This consists of leis made of flowers around the neck or even the shoulders. A grass skirt is also used and is made of tapa and known as a pau. The dancers also wear anklets made of whale bone or even dog teeth. The whole ensemble makes up the vision of the hula dancer the whole world is aware of.

In the past, when hula was danced as a religious ritual rather than simply for entertainment the rules regarding the hula dance were very strict and individuals involved in hula dancing school were required to follow them while they were learning how to dance. Generally, students were required to follow all rules and behave properly while obeying their hula teacher in all requests. Some of the rules stated that hula students could not cut their fingernails or even their hair. Other rules stated hula students could not engage in sex nor could they eat certain foods that were forbidden. As a result, the life of the hula dancer in hula school was very strict, yet all of the rules were for a purpose that believed the students would learn to dance the hula better if they did not engage in the forbidden activities.

Today there are two types of hula, hula kahiko and hula auana. Hula hahiko is the old style that was described above and generally includes percussion, chanting, and the traditional costumes. Hula kahiko is traditional and ritualistic and the chanting tells the story more than the dance moves. However, for the more entertaining hula auna there is music, guitars, entertaining costumes to enhance the dance, ukuleles and even songs. This type of hula uses body movements and the hands to really tell the story because it is easier for tourists to understand.

While the hula dance has been around for thousands of years and always been popular it almost disappeared in the 1800s when missionaries arrived in Hawaii. The missionaries believed that hula dancing was devilish and against God and tried to convince the dancers of their wrongdoing by dancing the hula. However, King Kalakaua did not want the traditional dance of the islands to disappear simply because the missionaries did not understand what the hula was all about in the first place so he took action.

As a result, King Kalakaua developed his own group of hula dancers and encouraged them to learn the hula dance, the old style hula, and fortunately the hula did not disappear and still remains a very important dance of the islands and even today there are hundreds of hula schools on all the Hawaiian islands that teach the hula dance, old style, to the students. Even today many of the hula schools have strict rules like the old hula schools implemented.

There are even hula schools and groups that teach old style hula dancing to people on the mainland so while hula remains an important part of Hawaiian culture the culture is spreading and many people show an interest in learning how to hula dance.

When you visit Hawaii, no matter what island you visit, you will certainly see plenty of hula dancing from old style to the newer and more entertaining hula and regardless which one you like the most you should definitely attend festivals or dances that exhibit both styles so you can see the performing arts of the island and learn about the culture, history and the people of Hawaii. You never know, you may learn a few hula moves yourself.

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Saturday, May 18, 2013

Friday, May 17, 2013

Why You Should Wear Eye Protection When Riding Your Motorcycle?


If you are looking for a pair of sunglasses or goggles to wear while riding your motorcycle, you have come to the right place. If you do not wear sunglasses or goggles when riding your motorcycle you should. Wearing sunglasses and goggles will help with protecting your vision, as UV rays are not good for your eyes and may cause cataracts or problems with your ocular lenses. Superflysunglasses has sunglasses and goggles to protect your eyes from both UVA &UVB rays, bugs, and the wind. Our motorcycle sunglasses and goggles also have a shatterproof lens to protect your eyes from rock or gravel being thrown from the tires of cars in front of you. Superflysunglasses also offers polarized lenses to help prevent glare from wet road surfaces, which can impair your vision and the glare from other vehicles on the road.

Superflysunglasses offers name brands such as Bobster Action Eyewear and Wiley-X. For those of you that do not want to pay the high dollar for a pair of riding sunglasses or goggles we offer discount motorcycle sunglasses also. Our top selling motorcycle eyewear is the Bobster Action Eyewear. We carry a Bobster line referred to as the Bobster Road Hog Convertible, which have interchangeable lenses for daytime and nighttime riding. These sunglasses/goggles offer an ultra-quick conversion from sunglasses to goggles and back. Our wrap around goggles feature a frameless single piece of amber polycarbonate for the lens, has an adjustable strap for maximum comfortability, and soft foam lining the inside for extreme comfort. The polycarbonate lens is very important for motorcyclists because the lenses must be scratchproof and impact resistant. These wrap around goggles are ideal for wearing under your helmet.

The Spektrax convertible is another very popular pair of sunglasses/goggles to wear while riding which includes a carry pouch, sunglass arms, adjustable strap, soft belt case, prescription lens insert, and easy to change lens. Lens colors include smoke, amber, and clear, which can be worn for daytime and nighttime riding. These shatterproof lenses have anti-fog coating and 100% UV protection. These sunglasses/goggles are name brand sunglasses for a reasonable price and are one of the top motorcycle sunglass/goggles worn today.

Superflysunglasses offers another style of sunglass/goggles referred to as Wiley-X. Our Wiley-X sunglasses/goggles are not only popular with motorcyclists, but are also popular with boaters and jet skiers. Wiley-X goggles also come with two interchangeable lenses, a gray lens for daytime and a clear lens for night. Our Wiley-X goggles also protect from UVA & UVB rays, which are harmful to the eyes and can cause cataracts and harm your ocular lens. If you are looking for a different color lens other than black, gray or clear we offer a Wiley-X Model B-2B that comes with a bronze brown lens. Wiley-X is another name brand sunglass/goggles great for protecting your eyes while riding your motorcycle, but unlike other name brands these sunglass/goggles can be found reasonably priced here at http://superflysunglasses.com.

With all these requirements that motorcycle sunglasses must have, it's hard to find a pair that you think will fulfill these requirements. Bobster Action Eyewear and Wiley-X are two brands that meet these requirements and sometimes exceed expectations. The Bobsters have even succeeded in outperforming others with their prescription sunglass/goggles. Because of the curve most motorcycle sunglasses or goggles have it is extremely difficult to add a prescription lens. With the more curve sunglasses or goggles have the less the prescription is going to work. The demand for prescription sunglasses and goggles tends to make most of them very expensive. The Bobster Spektrax is very reasonably priced to be name brand, have a prescription lens insert, and be so popular all at the same time.

All of our motorcycle sunglasses are extremely stylish and sporty with comfortability and protection being the main concern for all riders out there.

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Practicing Golf Trouble Shots

A lot of times on the golf course you will find that you are not in the middle of the fairway, or not in the fairway at all. Putting yourself in and around a tree on the practice range will help your decision making out on the golf course on what golf club to choose, and how to play it.

Most good golfers put themselves in trouble shot situations and bad lies on the practice range. Practicing this drill for a month, two or three times a week with a large bucket of golf balls each time, will improve your trouble shot making, and help lower your scores. You will find with practice and persistence you can save a par, or even birdie one or two holes out on the golf course more often than not. Keep in mind, saving a few strokes or better is 50% skill and 50% luck that you will succeed. The odds will increase or decrease depending on how much you practice these golf shots out on the practice range. It is always a good idea to play it safe, by chipping out.

By practicing golf trouble shot drills on the golfing range, you will sometimes visualize a prior practice shot taken on the range when you’re confronted with a trouble shot out on the golf course. Visualizing the golf shot from this practice routine requires a little bit of consistent practice. The golf shot will be a lot easier if you have done it many times over. You will need to take six golf clubs, (3 iron, 5 iron, 7 iron, wedge, 5 wood and driver) or your favorite golf clubs to the practice range along with a huge bucket of balls to keep your golf memory in shape. The idea of this trouble shot practice is to memorize distance and ball flight using different clubface ball positions and lies. This is a very enjoyable practice routine and exercise that requires a little patience, imagination and memory.

Find a tree between the golf ball and the green. You do not need a green behind the tree. It would be a lot more fun to watch your golf shots land and roll on the green, if there was one nearby. Stand behind the tree and hold the grip of the golf club with your fingers, and rest the club head on the grass with the clubface facing you. Put the bottom of your foot on the face of the golf club and let the grip go. Look and see if the tip of the golf club is pointing upwards and over the tree. Should the grip end of the golf club point at any part of the tree. Chances are, you haven’t got enough club loft to go over. You may need to go under the tree or find a loftier club. You can do this test with any club iron on the golf course.

The idea of this drill is to know how low and far you can roll a golf ball out to the fairway or green, and how much distance and loft you need to get over a tree. The key memory for the practice would be the golf club selection for both the loft and distance for the target you’re aiming for. One club may be low enough to get you under the obstacle, but may be too much club for the target area. You may want to consider choking down on the club to take a little distance off the shot. The other club may have enough loft, but not enough distance. Do this routine with different club selections often. For the distant trouble shots try a 1 wood and a 3 iron under the branches of a tree. (Use extra caution for these clubs near a tree. Also look around for other players before attempting any blind golf shot.)

With your first 10 balls, practice hitting it low to the ground. Always pick a target and put some kind of obstacle in front of you. Practice with a tree right in front of you or 100 yards away with the imaginary green behind it, if you have no access to a practice green. Try to keep the golf ball from flying into the tree, or make the ball land just before and roll beyond onto your imaginary target or green. You will have to use your imagination for this shot and practice with several different clubface positions. You need to practice playing the ball in front, middle, or back in your stance. You may want to practice going around the tree if you’re a substantial distance from the green. Close the clubface to help it hook, or open the face of the club to help slice it around the tree. There are a lot of good professional teachers, books and videos on the Internet to help you master the hook and slice effect of the ball at will. Practice your chipping distance for certain clubs, by chipping out to the side of trouble. It is a good idea to know how far you can chip a certain golf club so you don’t end up on the other side of the fairway, and or behind another obstacle.

Practice your trouble shots in a sand trap as well. Place a group of balls behind a big lip of a sand trap. Move some in the front and back of the trap. Do not forget to stand on a couple of golf balls for that buried golf ball effect. Now take your time hitting the golf balls, keeping in mind for an open clubface, and a slightly closed clubface for those buried lies. Is the sand hard or soft? Take more sand for shorter distances from the flagstick, and less sand for those longer shots. Your target for striking the sand should be 1 to 3 inches behind the golf ball, depending on your distance from the flagstick. Accelerate at impact. Follow through and do not quit on the shot. Again you will find more information on the Internet for mastering these types of trouble shots. Practice until you prefer to be in a trap on the golf course, because it's your favorite golf shot. This will raise your level of confidence when approaching a green on the course with bunkers around it. With enough practice you will actually see the ball drop in the hole coming out of the bunker from time to time. Eventually you will find yourself on the green trying to read the roll of the putting surface before you take the bunker shot.

Take out your 5 wood to practice aiming for the tall timbers. Know your distance. The 5 wood flies high and far. Try to put yourself close to the trees and back, to see how close is too close, and how far back is too far back. Do not forget to practice those long high fades and draw shots.

When you have practiced this drill enough times, it will almost seem like second nature when attempting these same golf trouble shots. You will either impress your foursome or make them stand there in awe. The other ingredients you will need to benefit from this practice routine are confidence and a positive mindset. The game of golf is almost magical at times. What seems impossible at times can have yourself shaking your head in disbelief and saying to yourself. “I can play like a pro!”

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Thursday, May 16, 2013

Golf Lesson How To Hit Your Long Irons

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